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The Ming dynasty considered Tibet to be part of the Western Regions. While the Ming dynasty at its height had some degree of influence in Tibet, the exact nature of their relations is under dispute by modern scholars. Analysis of the relationship is further complicated by modern political conflicts and the application of Westphalian sovereignty to a time when the concept did not exist. The Historical Status of China's Tibet, a book published by the People's Republic of China, asserts that the Ming dynasty had unquestioned sovereignty over Tibet by pointing to the Ming court's issuing of various titles to Tibetan leaders, Tibetans' full acceptance of the titles, and a renewal process for successors of these titles that involved traveling to the Ming capital. Scholars in China also argue that Tibet has been an integral part of China since the 13th century and so it was a part of the Ming Empire. However, most scholars outside China, such as Turrell V. Wylie, Melvyn C. Goldstein, and Helmut Hoffman, say that the relationship was one of suzerainty, Ming titles were only nominal, Tibet remained an independent region outside Ming control, and it simply paid tribute until the Jiajing Emperor, who ceased relations with Tibet.
Some scholars note that Tibetan leaders during the Ming frequently engaged in civil war and conducted their own foreign diplomacy with neighboring states such as Nepal. Some scholars underscore the commercial aspect of the Ming–Tibetan relationship, noting the Ming dynasty's shortage of horses for warfare and thus the importance of the horse trade with Tibet. Others argue that the significant religious nature of the relationship of the Ming court with Tibetan lamas is underrepresented in modern scholarship. (Full article...)
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Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
Between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties, there were (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
Yao, who was born in Shanghai, started playing for the Sharks as a teenager, and played on their senior team for five years in the CBA, winning a championship in his final year. After negotiating with the CBA and the Sharks to secure his release, Yao was selected by the Rockets as the first overall pick in the 2002 NBA draft. He reached the NBA playoffs four times, and the Rockets won the first-round series in the 2009 postseason, their first playoff series victory since 1997. In July 2011, Yao announced his retirement from professional basketball because of a series of foot and ankle injuries which forced him to miss 250 games in his last six seasons. In eight seasons with the Rockets, Yao ranks sixth among franchise leaders in total points and total rebounds, and second in total blocks. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
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Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
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Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
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The 2001 Tiananmen Square self-immolation incident took place in Tiananmen Square in central Beijing, on the eve of Chinese New Year on 23 January 2001. There is controversy over the incident; Chinese government sources say that five members of Falun Gong, a new religious movement that is banned in mainland China, set themselves on fire in the square. Falun Gong sources disputed the accuracy of these portrayals, and claimed that their teachings explicitly forbid violence or suicide. Some journalists have claimed that the self-immolations were staged.
According to Chinese state media, a group of seven people had travelled to Beijing from Henan province, and five set themselves on fire on Tiananmen Square. In the Chinese press, the event was used as proof of the dangers of Falun Gong, and was used to legitimise the government's campaign against the group. (Full article...)
... that revenge buying after the lifting of a 2020 COVID-19 lockdown helped a Hermès store set a record for the most shopping at a luxury outlet in China in a single day?
... that Luo Wenzao became the first Catholic bishop from China in 1685, after initially declining the appointment in 1677?
....that in China, access to water supply and sanitation varies greatly between rural areas, where only 67% of the population has access to improved water supply, and cities, where 93% does?
Peking duck is a dish from Beijing that has been prepared since the Imperial era. The meat is characterized by its thin, crispy skin, with authentic versions of the dish serving mostly the skin and little meat, sliced in front of the diners by the cook. Ducks bred especially for the dish are slaughtered after 65 days and seasoned before being roasted in a closed or hung oven. The meat is often eaten with spring onion, cucumber, and sweet bean sauce, with pancakes rolled around the fillings. (Full article...)
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The Han dynasty in 2 CE (brown), with military garrisons (yellow dot), dependent states (green dot), and tributary vassal states (orange dot) as far as the Tarim Basin in the western part of Central Asia. The Han dynasty (201 BCE – 220 CE) was the second imperial dynasty of China. It followed the Qin dynasty, which had unified the Warring States of China by conquest. It was founded by Liu Bang (Emperor Gaozu). The dynasty is divided into two periods: the Western Han (202 BCE – 9 CE) and the Eastern Han (25–220 CE), interrupted briefly by the Xin dynasty (9–23 CE) of Wang Mang. These appellations are derived from the locations of the capital cities Chang'an and Luoyang, respectively. The third and final capital of the dynasty was Xuchang, where the court moved in 196 CE during a period of political turmoil and civil war.
The Battle of Hulao, (Chinese: 虎牢之戰) or Battle of Sishui (汜水之戰, Wade–Giles: Ssŭ Shui), was a decisive Tang victory over the rival Zheng and Hebei-based Xia polities during the transition from Sui to Tang. The battle took place during the Luoyang–Hulao campaign on 28 May 621 when a Xia army – led by Dou Jiande, ruler of Xia – was defeated attacking a smaller Tang army – led by Prince Li Shimin – entrenched at the strategic Hulao Pass.
Li launched the Luoyang–Hulao campaign in August 620, attacking eastwards and quickly besieging Wang Shichong, ruler of Zheng, in Luoyang. Zheng attempts to break the siege failed, and they appealed to Xia for help. In April 621, Dou led a Xia army of 100,000–120,000 troops westward to break the siege. Instead of retreating back to the Tang heartland in Shanxi, Li maintained the siege and took a small part of the Tang army further east to the Hulao Pass to block the Xia. A stalemate ensued for a few weeks; the Tang refused to fight outside of their positions, and the Xia refused to outflank Li or redirect their offensive to Shanxi. (Full article...)
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A gilded bronze oil lamp in the shape of a female servant, dated 2nd century BCE, found in the tomb of Dou Wan, wife to the Han prince Liu Sheng (d. 113 BCE); its sliding shutter allows for adjustments in the direction and brightness of light while it also traps smoke within the body, an anti-pollutant design.The Han dynasty (206 BCE – 220 CE) of early imperial China, divided between the eras of Western Han (206 BCE – 9 CE, when the capital was at Chang'an), the Xin dynasty of Wang Mang (r. 9–23 CE), and Eastern Han (25–220 CE, when the capital was at Luoyang, and after 196 CE at Xuchang), witnessed some of the most significant advancements in premodern Chinese science and technology.
There were great innovations in metallurgy. In addition to Zhou-era China's (c. 1046 – 256 BCE) previous inventions of the blast furnace and cupola furnace to make pig iron and cast iron, respectively, the Han period saw the development of steel and wrought iron by use of the finery forge and puddling process. With the drilling of deep boreholes into the earth, the Chinese used not only derricks to lift brine up to the surface to be boiled into salt, but also set up bamboo-crafted pipeline transport systems which brought natural gas as fuel to the furnaces. Smelting techniques were enhanced with inventions such as the waterwheel-powered bellows; the resulting widespread distribution of iron tools facilitated the growth of agriculture. For tilling the soil and planting straight rows of crops, the improved heavy-moldboard plough with three iron plowshares and sturdy multiple-tube iron seed drill were invented in the Han, which greatly enhanced production yields and thus sustained population growth. The method of supplying irrigation ditches with water was improved with the invention of the mechanical chain pump powered by the rotation of a waterwheel or draft animals, which could transport irrigation water up elevated terrains. The waterwheel was also used for operating trip hammers in pounding grain and in rotating the metal rings of the mechanical-driven astronomical armillary sphere representing the celestial sphere around the Earth. (Full article...)
The Chongqing model was characterized in part by increased state control and the promotion of a neo-leftist ideology. It involved a sweeping and sometimes extrajudicial campaign against organized crime, and increased the security and police presence in the city. As a means of addressing declining public morality, Bo launched a "red culture" movement to promote Maoist-era socialist ethics. On the economic front, he actively courted foreign investment and focused on manufacturing for domestic consumption. The Chongqing model was also characterized by massive public works programs, subsidized housing for the poor, and social policies intended to make it easier for rural citizens to move to the city. (Full article...)
Sun Yang (Chinese: 孙杨; Mandarin pronunciation:[swə́n.jǎŋ]; born 1 December 1991) is a Chinese Olympic and former world-record-holding competitive swimmer. In 2012, Sun became the first Chinese athlete to win an Olympic gold medal in men's swimming. Sun is the first male swimmer in history to earn Olympic and World Championship gold medals at every freestyle distance from 200 to 1500 metres. A three-time Olympic gold medalist and eleven-time world champion, he is the most decorated Chinese swimmer in history. In 2017, NBC Sports described him as "very arguably the greatest freestyle swimmer of all time".
In September 2018, Sun was involved in a controversial incident during an out-of-competition doping test at his home. The doping control assistant (DCA) lacked proper accreditation and took photos of Sun without his permission, leading him to refuse the blood sample collection. A security guard broke open the container to prevent the testers from taking the vials. The DCA later admitted to unprofessional conduct. FINA ruled that Sun did not violate anti-doping rules due to the DCA's actions. However, on 28 February 2020, the Court of Arbitration for Sport (CAS) overturned FINA's decision, banning Sun for eight years for tampering with the doping control process. Some analysts opined that the trial was marred by severe translation problems, conflict of interest, bias and an "absence of evidence" around doping activity. Despite this, CAS found no evidence of doping, so Sun retained his medals. On 22 June 2021, after a retrial, the CAS upheld the ban but reduced it to four years and three months. (Full article...)
Maudgalyāyana (Pali: Moggallāna), also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra (Pali: Sāriputta), and Mahākāśyapa (Pali: Mahākassapa), he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that.
Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life. (Full article...)
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Typhoon June on August 29 at 07:27 UTC
Typhoon June, also known in the Philippines as Typhoon Maring, was the first of two tropical cyclones to affect the Philippines in a one-week time span in August 1984. June originated from an area of convection that was first witnessed on August 15 in the Philippine Sea. Despite initial wind shear, the area intensified into a tropical storm three days later as it tracked westward. After tracking over Luzon, June entered the South China Sea on August 30. Despite remaining poorly organized, June re-intensified over land, and it was estimated to have briefly attained typhoon intensity before striking China, just to the east of Hong Kong, at maximum intensity, although its remnants were last noticed on September 3.
Affecting the country four days before Typhoon Ike would devastate the Philippines, June brought widespread damage to the nation. Throughout the Philippines, 470,962 people sought shelter. A total of 671 homes were destroyed, with 6,341 others damaged. A total of 121 people were killed, while 17 other individuals were reportedly missing, and 26 other people were wounded. Damage totaled $24.2 million (1984 USD, including $15.24 million in agriculture and $8.82 million in infrastructure). Following June and Ike, several major countries provided cash and other goods. In all, $7.5 million worth of aid was donated to the nation in relief. In addition to effects on the Philippines, 1,500 homes were damaged and 66,000 ha (160,000 acres) of farmland were flooded in the Guangdong province. (Full article...)
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The Central Commission for Discipline Inspection (CCDI) is the highest supervisory organ of the Chinese Communist Party (CCP). The CCDI is elected and supervised by the CCP National Congress. It is tasked with defending the party constitution, enforcing inner-party regulations, coordinating anti-corruption work, and safeguarding the core position of the CCP General SecretaryXi Jinping and the party as a whole. Safeguarding the political position of Xi and the Central Committee is, officially, the CCDI's highest responsibility. Since the vast majority of officials at all levels of government are also CCP members, the commission is, in practice, the top anti-corruption body in China.
At its first plenary session after being elected by a CCP National Congress, the CCDI elect its secretary, deputy secretaries, secretary general and other Standing Committee members. The CCDI then reports the election results to the Central Committee, which can either approve or disapprove of the results. The CCDI Standing Committee is responsible for convening and presiding over plenary sessions of the CCDI. When the CCDI is not in session, its powers and responsibilities are delegated to the CCDI Standing Committee, which has to implement the decisions of the CCP Central Committee and the CCDI plenary sessions. It is held accountable to the CCDI plenary sessions. The secretary convenes, presides over the work and sets the agenda of the CCDI Standing Committee meetings. The current secretary is Li Xi, who was elected by the 1st Plenary Session of the 20th Central Commission for Discipline Inspection and approved by the 20th Central Committee on 23 October 2022. (Full article...)
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Buddha image with scenes of stories in which he repaid his parents. Mount Baoding Buddhist Sculptures, Dazu, China. Filial piety has been an important aspect of Buddhist ethics since early Buddhism, and was essential in the apologetics and texts of Chinese Buddhism. In the Early Buddhist Texts such as the Nikāyas and Āgamas, filial piety is prescribed and practiced in three ways: to repay the gratitude toward one's parents; as a good karma or merit; and as a way to contribute to and sustain the social order. In Buddhist scriptures, narratives are given of the Buddha and his disciples practicing filial piety toward their parents, based on the qualities of gratitude and reciprocity. Initially, scholars of Buddhism like Kenneth Ch'en saw Buddhist teachings on filial piety as a distinct feature of Chinese Buddhism. Later scholarship, led by people such as John Strong and Gregory Schopen, has come to believe that filial piety was part of Buddhist doctrine since early times. Strong and Schopen have provided epigraphical and textual evidence to show that early Buddhist laypeople, monks and nuns often displayed strong devotion to their parents, concluding that filial piety was already an important part of the devotional life of early Buddhists.
When Buddhism was introduced in China, it had no organized celibacy. Confucianism emphasized filial piety to parents and loyalty to the emperor, and Buddhist monastic life was seen to go against its tenets. In the 3rd–5th century, as criticism of Buddhism increased, Buddhist monastics and lay authors responded by writing about and translating Buddhist doctrines and narratives that supported filiality, comparing them to Confucianism and thereby defending Buddhism and its value in society. The Mouzi Lihuolun referred to Confucian and Daoist classics, as well as historical precedents to respond to critics of Buddhism. The Mouzi stated that while on the surface the Buddhist monk seems to reject and abandon his parents, he is actually aiding his parents as well as himself on the path towards enlightenment. Sun Chuo (c.300–380) further argued that monks were working to ensure the salvation of all people and making their family proud by doing so, and Liu Xie stated that Buddhists practiced filial piety by sharing merit with their departed relatives. Buddhist monks were also criticized for not expressing their respect to the Chinese emperor by prostrating and other devotion, which in Confucianism was associated with the virtue of filial piety. Huiyuan (334–416) responded that although monks did not express such piety, they did pay homage in heart and mind; moreover, their teaching of morality and virtue to the public helped support imperial rule. (Full article...)
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Hu Die in the 1930s
Hu Die (Chinese: 胡蝶; Wade–Giles: Hu Tieh; 1907–08 — April 23, 1989), also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door. (Full article...)
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The Dening Hall (Chinese: 德宁殿; pinyin: Déníng Diàn) of the Beiyue Temple
A column of the US 1st Marine Division moves through Chinese lines during its breakout from the Chosin Reservoir with a M46 Patton medium tank.
The Battle of Chosin Reservoir, also known as the Chosin Reservoir Campaign or the Battle of Lake Changjin (Korean: 장진호 전투; Hanja: 長津湖戰鬪; RR: Jangjinho jeontu; MR: Changjinho chŏnt'u), was an important battle in the Korean War. The name "Chosin" is derived from the Japanese pronunciation "Chōshin", instead of the Korean pronunciation.
The battle took place about a month after the People's Republic of China entered the conflict and sent the People's Volunteer Army (PVA) 9th Corps to infiltrate the northeastern part of North Korea. On 27 November 1950, the Chinese force surprised the US X Corps commanded by Major General Edward Almond in the Chosin Reservoir area. A brutal 17-day battle in freezing weather soon followed. Between 27 November and 13 December, 30,000 United Nations Command troops, later nicknamed "The Chosin Few", under the field command of Major General Oliver P. Smith were encircled and attacked by about 120,000 Chinese troops under the command of Song Shilun, who had been ordered by Mao Zedong to destroy the UN forces. (Full article...)
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Yang Shoujing at age 75
Yang Shoujing (Chinese: 楊守敬; pinyin: Yáng Shǒujìng; Wade–Giles: Yang Shou-ching; 1839 – 9 January 1915) was a Chinese antiquarian, bibliophile, calligrapher, diplomat, geographer, and historian. He is best known for the historical atlasLidai yudi tu, commonly called the Yangtu ("Yang's atlas"), the most complete and scholarly historical atlas of China produced during the Qing dynasty. He devoted most of his life to the annotation of the 6th-century geographic work Shui jing zhu, which was completed by his disciple Xiong Huizhen and published as the Shui jing zhu shu.
As a Qing diplomat posted in Japan, Yang purchased tens of thousands of ancient Chinese books from Japanese libraries and archives, many of which had become rare or lost in China. After his death, the government of the Republic of China purchased his collection and preserved most of the books in the National Palace Museum. (Full article...)
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The title page of a 16th century Ming print of the Zuo Zhuan
The Zuo Zhuan (Chinese: 左傳; Wade–Giles: Tso chuan; [tswò ʈʂwân]), often translated as The Zuo Tradition or as The Commentary of Zuo, an ancient Chinese narrative history, is traditionally regarded as a commentary on the ancient Chinese chronicle the Spring and Autumn Annals. It comprises 30 chapters covering the period from 722 to 468BC, and focuses mainly on political, diplomatic, and military affairs from that era.
For many centuries, the Zuo Zhuan was the primary text through which educated Chinese learned their ancient history. The Zuo Zhuan does not simply explain the wording of the Spring and Autumn Annals, but rather expounds upon its historical background with rich and lively accounts of the history and culture of the Spring and Autumn period (771–476 BC). The Zuo Zhuan is the source of more Chinese sayings and idioms than any other classical work, and its concise, flowing style served as a paragon of elegant Classical Chinese. Its tendency toward third-person narration and portraying characters through direct speech and action became hallmarks of Chinese narrative in general, and its style was imitated by historians, storytellers, and ancient-style prose masters for over 2000 years of subsequent Chinese history. (Full article...)
Wulingyuan Scenic and Historic Interest Area is a UNESCOWorld Heritage Site in Hunan Province, China designated in 1992. It's noted for more than 3,000 quartzitesandstone pillars and peaks across most of the site, many over 200 metres (660 ft) in height, along with many ravines and gorges with attractive streams, pools and waterfalls. It features 40 caves, many with large calcite deposits, and two natural bridges, Xianrenqias (Bridge of the Immortals) and Tianqiashengkong (Bridge Across the Sky).
Image 15Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 16Flag of the Republic of China from 1928 to now (from History of China)
Image 17Dragon Tea Pot, Republic of China (from Chinese culture)
Image 45Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 46Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 52Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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